Int'l Performing Arts Fest Spotlights Liberal Pakistan

By Beena Sarwar (IPS)

LAHORE, Nov 18 (IPS) – Some 370 foreign actors, musicians, dancers
and puppeteers have defied the warnings of their friends, families
and governments to participate in an international performing arts
festival in Lahore, cultural capital of the world’s `most dangerous
country’.

The privately organised 12th World Performing Arts Festival, Nov 13-
23, showcases Pakistani and international dance, theatre, film,
music, and puppetry in the largest such event in the region.

This is the 26th international festival organised by the Rafi Peer
Theatre Workshop (RPTW), a group launched in Karachi in the early
1980s by the family of the late Rafi Peer, the Germany-
educated `grand old man’ of modern Pakistani theatre who died in
1974. His youngest sons, twins Faizaan and Sadaan, started out with
puppet and theatre performances in Karachi.

In 1992, they organised the first international festival in their
native Lahore, springing from artist Faizaan’s passion for puppets,
bringing together puppeteers from around the world. Since then, the
Peerzadas (literally, `Peer’s sons’) as the family is called, have
organised up to three international festivals a year, showcasing
puppetry, dance, music, and theatre.

The World Performing Arts Festival brings together all these
disciplines, plus film.

Security concerns made this year’s festival the `toughest ever’ as
crucial sponsors backed off, Faizaan, 50, told IPS. “Before, foreign
governments were telling their nationals to travel to Pakistan only
on business. Now they are telling them not to travel here at all.”

Given the negligible government support (only venue and security),
the group relies heavily on private sponsors to meet their Rs 40
million (500,000 US dollars) budget. “For example, the Swiss Council
for Cultural Relations, Pro Helvetia, would pay for the travel of our
French and German speaking delegates. Not this year,” explained
Faizaan.

“Other organisations used pitch in, so if it cost 15,000 dollars to
bring in a group, we would only have to bear 3,000 dollars of that
cost. Now, Pakistan isn’t a country they want to invest in. We’ve
lost some 250 performers from Europe because of this,” he added.

“Two years ago, we had 800 foreigners. Those who are here now came
because of their personal commitment and our huge personal efforts. I
wrote to all of them saying that in good times you can travel
anywhere, but it is when times are tough that you need to stand with
us.”

The foreign delegates representing countries including Iran,
Afghanistan and India in the region and the Czech Republic, United
States, Britain, Ireland, Italy, Germany, Austria, Norway,
Netherlands and France further afield mingled with about 700
Pakistani colleagues to affirm that the language of music, art and
culture has no barriers.

Walking around the circular red-bricked venue with its open-air
theatre and temporary marquees before show-time, it is easy to spot
foreign participants as they come to the venue from various hotels
where they have been lodged.

Adriano of Jack and Joe Theatre (Italy/Germany) has attended this
festival since 2005. “Pakistan does look very dangerous,” he
admitted. “But it’s ok for us,” he said, gesturing to his colleague
as they headed to the Festival office to collect their name
cards. “The people at the organisation are very nice, and it’s a nice
atmosphere. We get to meet artists from other countries. It’s a
pleasure to be here again.”

This is the fifth time for Guillame de Remusat, a manager and
producer from France. “The Peerzadas are my Pakistani family,” he
told IPS in the crowded Festival office as staff scrambled to put
together the performers’ identity cards and adjust complicated
schedules.

He has always “found friendly, polite people, eager to learn about
other cultures and people. So I don’t feel scared. I feel comfortable
here despite all the trouble. But it is not always easy to convince
others to join me. They are used to a different level of security and
accommodation.”

Still, he has managed to bring many artists to previous festivals,
and this year, two performances from France: Abaji, a Lebanese-born
multi-instrumentalist and Mano Santa, an Argentinean music band, both
here for the first time.

“I am spreading the spirit of the festival in Europe,” grinned de
Remusat. He is working to link this festival with the annual music
festival of Les Suds a Arles in the south of France in July, “like a
sister festival”.

“Everyone is very friendly,” the dread-locked Marcho Jabea who plays
bass guitar in Mano Santa told IPS in French-accented English. “It is
very important to come here and meet other performers from around the
world”.

Abaji likes to travel around the world mainly to meet other
musicians. He feels he is “back home” in Lahore and is thrilled about
his collaboration with Sania Noor, an obscure Pakistani folk
singer. “We just met and it was like we were close friends. We
rehearsed out here, completely impromptu. She sang an Urdu song over
my music. It was fantastic.”

Norwegian keyboard instrumentalist and composter Ingrid Kindem is
visiting Pakistan for the third time. Three years ago the Norwegian
cell phone giant Telenor flew her over for their launch in Pakistan,
at which she collaborated musically with the popular Pakistani band
Fuzon.

“I came back the next year and recorded with them. The musicians and
the music here are so inspiring, it’s great to see such young
musicians who are popular,” she told IPS. “It’s wonderful to work
with them. I like how they use vocals, very rooted in their own way
of singing, but also able to create inter-popular music.”

She shrugged off a question about the security situation. “I feel
completely secure. A lot of people (back home) tell me not to go. The
media shows us a Pakistan that is very different. I have never seen
any furious people here.”

“Look, things can happen anywhere,” she added. “I really enjoy coming
back here. I am overwhelmed by how friendly people are, they treat me
like a gift from God.”

Kinden said she tries to get Pakistani musicians over to Norway, but
there are always visa problems. “It’s very unfair, because when I
want a Pakistani visa, I get it in just three days.”

Chicago-based American stand-up comic Azhar Usman, a lawyer in his
previous life who tours with the `Allah Made Me Funny’ show back home
with other Muslim American comics, echoed Kinden’s words. “There’s a
lot of media hype about Pakistan. It’s like a fabricated reality on
television. I don’t pay attention to all that garbage. There are
crazy people everywhere.”

The only problem he had was getting his visa because of his parents’
Indian origin — a problem all the over 150 Indian participants
faced, thanks to ongoing bureaucratic restrictions that Pakistani and
Indian visitors to each other’s countries continue to face despite
the ongoing peace talks.

Celebrated British stand-up comedienne Shazia Mirza, whose parents
were born in Pakistan, had a packed hall roaring with laughter at her
politically incorrect, bawdy lines delivered with deadpan confidence.
She has been to Pakistan before, but this was her first time
performing here.

She told IPS she had been apprehensive about coming to
Pakistan “given the state it’s in” but all her fears were
unfounded. “I was also worried about whether they’d laugh at
themselves. I was really surprised. It’s been a fantastic experience.
They understood all the references and laughed and weren’t offended.”

Heightened security caused problems for many locals at the
festival. “It was very intimidating to go through so much security.
We had to park really far away, my bag was checked three times,” said
Alefia T. Hussain, who brought her daughter and two other girls to
see the Czech puppet show. “But it’s good that they’re taking so many
precautions,” she added.

(END/2008)